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Beholding Eye, Poems by Grace Bauer
Grace
Bauer turns the power of her own piercing gaze onto the world of art in her
stunning new poetry collection Beholding
Eye. The worlds of art and artifice, the creative life and created
lives: nothing escapes her scrutiny. Beholding
Eye itself is a wonder to behold.
“Grace Bauer, in her brilliant new book of ekphrastic poems, deploys
the voices of artists and their subjects to consider matters of identity,
power, class, anger, and erotics. With her usual high wit, the poet revises
the location and meaning of worth and beauty. Bauer’s formal skill serves
to illuminate the ‘thick and pungent’ paint caked on the hands
of the maker, as well as the ‘civility and containment’ we must
shun to enter ‘A-R-T’—which is what this book does after
all: enters its subject to become pure art. Brava!”—Hilda Raz,
editor of Prairie Schooner and author
of Trans
“If Browning’s Last Duchess were to step out of her canvas and
begin reading Walter Benjamin on art and late-stage capitalism, she might
produce a book similar to Grace Bauer’s Beholding Eye. These smart,
funny ekphrastic poems surprise the reader on every page and surprise anew
with each rereading. What Bauer says of Duchamp’s Nude Descending a
Staircase could pertain equally well to her own poetry: it is ‘designed
to disrobe the viewer / . . . to change /forever how we see.”—Julie
Kane, author of Rhythm and Booze
“Anne Sexton, Elizabeth Bishop, Carolyn Kizer—let them make room
for Grace Bauer. Sexton’s equal in sardonic vision, Bishop’s equal
in the music of speech, Kizer’s equal in rapier wit … I, for
one, will try to read every word that this woman writes.”—Will
Slattery in ONTHEBUS
Grace Bauer is the author of The Women At The Well (Portals Press,
1997), as well as three chapbooks of poems: Where You’ve Seen Her
(Pennywhistle Press), The House Where I’ve Never Lived (Anabiosis
Press), and Field Guide To The Ineffable: Poems On Marcel Duchamp
(Snail’s Pace Press). Her poems, stories, and essays have appeared in
numerous anthologies and journals, including: Arts & Letters, Colorado
Review, Doubletake, Margie, Poetry, Rattle, Southern Poetry Review, and
others. She is co-editor (with Julie Kane) of the anthology, Umpteen Ways
Of Looking At A Possum: Creative And Critical Responses To Everette Maddox
(Xavier Review Press). She teaches at the University of Nebraska-Lincoln.
ISBN: 1933456299, 112 pages