Sample Poems by
Tim Hunt
Outtake from The Secret
Lives of Dobie Gillis in Homage to Maynard G.
Krebs as if He Were Not a Sit-Com Character Erased in
His Erasure
Bongos between
sandaled feet,
dirty
socks wrapped
against the cold, Maynard
holds the paper cup
of
lentil soup, seeing
for once the blackbirds
pinned to the park's
gray tree
limbs and
wearing the cold that is
not their cold, but is,
as they do not
pretend
to be cats and kitties
pretending they are
somewhere,
some
thing. Like
Wow, Man.
Poem, Having Shopped at The
Gap, Debuts His Skinny Jeans
Today, Poem is wearing
his skinny
jeans. He likes
to keep up. He reads
GQ. He knows how
to
pose-feet crossed
showing off his boots, his ass
parked against the
Corvette's
fender as if James Dean
for all eternity-a beyond
beyond
mere form as he
imagines driving with his friend
John through that
orange
neon signage beyond the West-
ern edge into the actual
dark.
Does This Go With... aka Make Mine Camo
It happens, they say, shit
and all
That, but I'm thinking more
Of how the signs in time drift.
That,
too, happens-erasure,
Inversion, appropriation, how
Weed is now Juice, all
these
In and Out intricacies of Bought
& Sold as if we are paper
Dolls. See
how these Birken-
stocks complete this Billy
Gibbons beard. Oh, no
that
Won't do. Boots, truly. Those
Over there, with the laces. Ah,
That's
better. That makes more
Sense. And a work shirt, too.
Oh, Irony. Ah,
Duck
Dynasty.
Poem Orders an Espresso
Poem liked the way the
barrista
handed him the cup.
He was glad he'd ordered espresso,
not
one of those foamy things. He
wanted sugar but kept his eyes
gazing out
the window as if
the parking meters were trees
along a gray creek and the
building
across the street (art deco paint
scheme needing a ladies
room
freshen up) were truly the horizon.
Poem, doing his best hipster,
stroked
his soul patch and eased his Bic
from his pocket, hoping
she
was watching as he dabbed the napkin
as if brushstroking
Chinese.
Surely, Poem thought, she would
be waiting when he came home
tonight-
all piercings and tattoos-and, oh,
unrefined sugar,
too.
Poem had always
believed in the sanctity of the blank
Page, but had
to admit
There was something about ink
Needled into skin that compelled
the eye. His
Problem was what. "Mother" was too
Sailor, and he'd read Said,
so dragons
On the nod weren't an option either,
And he was, he knew, a
little too Wordsworth
To get down with a plate of Blake. Still,
He thought
his should be something that signified
Poeticity. Perhaps a pen! And it could
have
A little dribble of ink off the tip! But that was
Somehow a little
abstract, and what if
A glancing eye misread his signifier,
Reading body instead
of art. If Poem
Was to signify, he couldn't be too free in
His free play. He
imagined a carpenter
Flexing a saw or hammer posing at the beach.
And
he had, he confessed to himself, a certain
Soft spot for that silhouette of the
girl
Truckers had on their mud flaps but that
Wouldn't do either. That
was clearly too
Real for a poem, and he didn't want the lady
Poems thinking he
thought of them like that.
He considered Homer, but alas
There was no
image. Whitman
Had too much beard, that cascade
Was more needle
than he could bear.
True, there was always "Truth 'n'
Beauty," but he'd been
taught a real poet
Should only show and never tell-a coy
Ankle glimpsed
as if by chance
Beneath a fulsome veil of skirt.
Poem thought and thought
about
What his black swirls should be, what text
To make of himself, and
slowly realized
It was his fate to remain blank
And white. Maybe, he
thought, he could tell
His friends he was conceptual-invisible
Ink-akin
to that painting-gesso
On white gesso, a canvas hieroglyph
Framed like a
roped square around
A boxing ring (Ah, the circled
Square!) and the eyes
dancing
Like Ali, or more like Smokin' Joe trying
So so hard to find
something to hit,
As the flicking jabs, the deft patter
And cobra quick gloves
stung, stung,
And stung again. Ah!
To be all!
To be
nothing.